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Designer Fatih Arslan has published a tour of the lamps in his home, including pieces by Artemide, Isamu Noguchi and Louis Poulsen. His account combines personal impressions with design histories and notes that the lamps are costly, while similar-looking, lower-priced options and secondhand finds are available.
Designer Fatih Arslan published a tour of the lamps in his home on October 5, describing a collection that includes well-known designs by Artemide, Isamu Noguchi and Louis Poulsen. The post matters to design enthusiasts and prospective buyers because it pairs personal views of the lamps with their histories, while acknowledging that many are expensive and that lower-cost or secondhand alternatives exist.
Arslan says he often shares lamps on social media and is asked about their makers and models. His post presents the objects in no particular order, with photographs taken in his house. He frames the collection as more than a practical lighting choice: collecting, he writes, is different from simply owning a lamp. He says the pieces are probably not worth their prices on cost alone, but are worth it to him.
The tour spans several design periods and uses. The Artemide Tolomeo Mini, designed by Michele De Lucchi and Giancarlo Fassina in 1987, won the Compasso d’Oro in 1989, according to Arslan. He praises its portability and suitability for a work desk. The Tizio Micro, designed by Richard Sapper, uses conductive arms and counterweights; Arslan highlights its wire-free appearance and small red details.
Several lamps are from Noguchi’s Akari series, which began in 1951. Arslan describes the washi-paper shades as producing gentle light and says the 16A and 75A create different effects in his rooms. Other pieces include Poul Henningsen’s PH 5 and PH 3/2, both associated with layered shades that soften light, and Arne Jacobsen’s adjustable AJ wall lamp. Arslan also notes that he accidentally broke the glass PH 3/2 and waited months for a replacement.
A Collection Beyond Everyday Lighting
Arslan’s post illustrates how a household object can hold both practical and collecting value. The lamps are used to light rooms, but their designers, construction, history and place in the home also shape why he chose them. That distinction helps explain why buyers may pay a premium for a specific design even when other lamps can provide light at a much lower cost.
The account also gives readers concrete buying context without presenting the collection as a shopping guide. Arslan says similar-looking lamps from retailers such as IKEA may cost about a tenth as much as some designer versions, and that original pieces can sometimes be found at vintage shops or fairs. Prices and availability vary, and his post does not provide a model-by-model price comparison. For readers considering a purchase, the central takeaway is to distinguish design preference from basic lighting needs and to check authenticity when seeking a named vintage design.
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From 1925 Shades to Akari Paper
The designs in the tour come from different points in twentieth-century design history. Henningsen developed his three-shade system in 1925, Arslan writes; the PH 5 followed in 1958. Noguchi began the Akari series after visiting Gifu, Japan, in 1951, drawing on the city’s paper-lantern traditions. Arslan says the lamps are still made by hand at Ozeki, a family-run workshop in Gifu, using traditional methods.
The collection also links lighting design to other familiar objects. Arslan notes that Sapper later designed the first IBM ThinkPad and Alessi’s 9090 espresso maker, while Jacobsen’s work for Copenhagen’s SAS Royal Hotel extended from furnishings to cutlery. These references provide a concise sense of the designers’ wider careers; the post remains primarily a personal account of lamps in one home, not an industry survey.
““At a certain point, it becomes more like collecting, and collecting things is very different from just having a lamp to illuminate a room.””
— Fatih Arslan
Isamu Noguchi Akari paper lanterns
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Prices and Availability Vary
The post does not list purchase prices, the dates Arslan acquired most of the lamps, or current availability by model. His estimate that some IKEA designs may cost about a tenth as much is a general comparison, not a price check for each lamp; the exact comparison basis is not specified. Nor does he provide a complete buying or authentication guide. Readers should treat the descriptions of value and room fit as Arslan’s personal judgments, rather than universal recommendations.
Some historical details, including award references and production methods, are presented in the original post without supporting documentation or links to manufacturers. The article’s scope is a home tour, so it does not establish how widely the pieces are owned, how their prices have changed, or whether secondhand examples are currently available in a reader’s market.
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Further Details for Buyers
Arslan’s article provides no announced follow-up or future event. Readers interested in a particular lamp can use the model and designer names in the tour as a starting point, then check current manufacturer information for specifications and authorized sellers. Anyone shopping secondhand may want to compare condition, markings and provenance, especially for designs Arslan describes as having identifiable authenticity marks.
The post’s immediate next step for readers is practical: decide whether the aim is affordable room lighting or a particular collectible design. For the latter, vintage shops and fairs are among the sources Arslan recommends, though he does not identify specific sellers or guarantee that any model will be available. Prices, stock and condition remain dependent on the individual listing.
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Key Questions
Who published the lamp tour?
Fatih Arslan published the personal tour on October 5, 2026, with photographs taken in his home.
Which designers are represented?
The lamps include designs by Michele De Lucchi and Giancarlo Fassina, Richard Sapper, Isamu Noguchi, Poul Henningsen and Arne Jacobsen.
Does Arslan say the lamps are worth their high prices?
He says they are probably not worth their prices on cost alone, but are worth it to him personally. He describes the collection as partly an interest in collecting, not just a way to light rooms.
Are there cheaper alternatives?
Arslan says retailers such as IKEA sell lamps with similar designs for a fraction of the price, and that original lamps may sometimes be found at vintage shops or fairs. He does not provide specific prices or availability for individual models.
What is distinctive about the Akari lamps?
The Akari lamps use washi paper and were designed by Noguchi beginning in 1951. Arslan says they are still handmade at Ozeki in Gifu, Japan, using traditional methods.
Source: hn
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